Laslo Sergiu is a Romanian artist fond of interspersing his largely grey-scale paintings with bursts of vivid neon color. In Family Portrait, the artist paints in monochrome an image of a parent hugging a child, behind rainbow-colored bands reminiscent of blinds on a window. Interestingly, while the features of the child’s face are seen, the parent’s face has been smoothed flat into featureless gray. Instead, it is the parent’s grasping hands which are most prominent. The effect is somewhat ominous, however the child’s expression, and the bright colors of the stripes, seem to allay any suspicion of a darker subtext.
Romanian artist Edith Torony creates richly textured abstracts composed of what are only nearly recognizable components. In Part of the Crowd, small figures are scattered within a dirty, crowded circle, one half of which is in darkness, and the other bathed in a dirty ochre. Given the title of the piece, the elements within it, and the utter lack of green or blue, one is tempted to see here a grim depiction of the our planet, either in its current or future ecological state. Regardless of the interpretation, the painting elicits a feeling of discord and claustrophobia.